Black History Monthby Senator Robert P. Casey, Jr.
Posted on 2013-02-25
CASEY. Mr. President, as I have every year since I came to the
Senate, I rise to commemorate Black History Month. This year, we are
privileged to recognize Bill Strickland, a man whose approach is unique
and whose accomplishments are of great consequence to African-
Americans, and in fact, to all Americans. From the age of 19, Bill
Strickland has worked tirelessly to improve the lives of those living
in poverty, to give them a setting they can thrive in and a future they
can take pride in.
Bill grew up in the Manchester neighborhood of Pittsburgh, on the city's north side. Prior to the decline of industry in the city in the mid-1960s, Manchester was a solid, working class community. But by the time Bill was in high school, the area around him had slid into urban decay and instability. Though surrounded by poverty, Bill's mother was determined to provide a safe environment for her family. And though she didn't have a high school diploma herself, Bill's mother held firm to the belief that a good education was the ticket to a better life. At Oliver High School, when he began his senior year Bill had neither plans for after graduation or a clear picture of what his future might look like.
Then one day while walking down the hallway at school, Bill was attracted by the smell of fresh coffee. The coffee, along with the sounds of jazz, led Bill to the art room in Oliver High where he watched a pot being formed from a mound of clay on a turntable. Seated at the potter's wheel was Frank Ross, Oliver High's art teacher who would become Bill's close friend and mentor. Over the next year, in the calm atmosphere of Frank's well-lit art studio, Bill would develop a talent for ceramics. As importantly, it provided a safe and stable sanctuary from the chaos of the streets. At the potter's wheel Bill found his passion, and although he didn't know it yet, he was also forming the beginning of a vision that would become Manchester Bidwell Corporation.
In 1967, Bill graduated from Oliver High School and, at the instance of Frank Ross, applied to the University of Pittsburgh where he was accepted, but only as a probationary student. Although he had begun his studies full-time, Bill never lost the connection with his neighborhood. In the summer of 1968, as Manchester grappled with the racial tensions that swept many inner cities, Bill decided to open an arts center in his neighborhood. He had seen the power a bright, orderly, safe place like Frank Ross' studio and the artistic work done there had had on his own life. He wanted to give the young people of Manchester a place where they too could escape the effects of economic and social devastation and experience something beautiful. A conversation with a young minister working in the area led Bill to his first $25,000 in funding and the Manchester [[Page S802]] Craftsmen's Guild was born as an after-school art program in a donated row house on Buena Vista Street. It was not an overnight success, but Bill never gave up. When young people in the neighborhood weren't immediately taken with ceramics, Bill redoubled his efforts, hitting the streets to reach out to as many people as possible and bring them to his center. People noticed Bill's efforts and the popularity of the Guild grew. As more people came to the center, the center needed more clay, more wheels, and Bill needed to secure more funding.
Along the way, an interesting phenomenon occurred. Teachers began noticing that their students who regularly went to the Guild were doing better academically and behaving better in school. Without intending to, Bill had stumbled across a simple, yet empowering, philosophy-- environment shapes people's lives. By providing a safe space for the Manchester youth, and by introducing them to the beauty of the arts, Bill was simultaneously inspiring a large-scale change in his community.
Despite starting as a probationary student, Bill graduated from Pitt cum laude with a BA in History in 1970. Bill continued to work with the Manchester Craftmen's Guild and a few years after graduation, he became director of the Bidwell Training Center, a school whose mission was to provide education in the building trades disadvantaged and dislocated workers. When Bill assumed his role as head of Bidwell, what he discovered was a dilapidated warehouse in a seedy parking lot and a $300,000 back tax bill from the IRS. But Bill saw its potential and didn't give up. Bill began to transform Bidwell into a forward-thinking school that offered its students a real chance to dramatically improve their lives. He realized that the changing job market required less focus on construction trades and redirected Bidwell's focus to the hightech and medical industries. He also forged important partnerships with corporations like IBM, Heinz) and Bayer to design curriculums that would train the workers that employers needed. While he worked to improve the staff and the quality of the education, the nature of Bidwell's funding meant that Bill could not address what he saw as one of the institutions central flaws: The building. With funding for social projects harder to come by in the 1980s, Bill was forced to lay- off nearly one-third of his staff just to make payroll. But despite the set-back, in his own eyes, Bill's vision was clearer than ever. Bill realized that what he needed to make Bidwell succeed was a center of which students, faculty, and neighbors could be proud.
To achieve his dream, Bill contacted legendary Pittsburgh architect Tasso Kastelas, a student of Frank Lloyd Wright, to design a world class center in one of the worst neighborhoods in Pittsburgh. For $10,000, Bill commissioned the architect to build a model of what would later become the home of the Manchester Bidwell Corporation, as the combined programs of the Manchester Craftsmen's Guild and the Bidwell Training Center would come to be known. Bill had a vision for his building and the conviction that the future of his cause lay in its construction. Just as he had done before, Bill took it upon himself to turn his dream into a reality and spearheaded a $6.5 million capital campaign. Model in hand, he implored the Pittsburgh corporate community to help fund his dream. When the city's corporate donors, who had supported him previously, told him that Manchester didn't need such a spectacular center, he told them in no uncertain terms that it did. When he was told he needed matching funds to obtain his corporate pledges, he turned to the Commonwealth of Pennsylvania for additional support.
In 1986 the new 62,000 square foot arts and career training center opened. Originally the center consisted of studios as well as classrooms, workshops, gallery spaces, and a 350-seat auditorium. Over the years the building has expanded as Bill's vision expanded. In 1987 the jazz hall, which has seen performances from the likes of Dizzy Gillespie and Nancy Wilson, was added and in 2003 the 40,000 square foot state-of-the-art greenhouse opened. The center currently provides training in fields as varied as gourmet food preparation, chemical, office, and medical technologies, and education arts programming in ceramics, design arts, digital arts, and photography.
Bill's center and his students success stories are a testament to the power of social entrepreneurship. What began as a mission to provide an escape from the ghetto has produced unparalleled results in educational empowerment and community growth. Manchester Craftsmen's Guild ``Youth in Arts'' is a program that strives to educate and inspire urban young people through the arts. Ninety-three of the high school students who participate in the Manchester Craftsmen's Guild ``Youth in Arts'' program graduate from high school, a noticeable improvement over the national graduation rate of 75.5 percent. The Bidwell Training Center has changed lives by providing market-driven career training to disadvantaged adults in transition. Its training programs continue to place skilled technicians in middle-class jobs at companies such as Bayer, Mylan Labs, and Heinz. MCG Jazz, Manchester-Bidwell's record label, has been nominated for seven Grammy awards and has brought four home to Pittsburgh. The orchids grown in the facility's greenhouse have won Best in Show at a Western Pennsylvania orchid fair and are even available for purchase at Whole Foods. And while they are learning medical coding or how to center clay, each student is fed a gourmet lunch prepared by culinary students in the center's top-of-the-line kitchen.
Realizing the opportunity to strengthen other communities and effect change on an even larger scale by using the Manchester Bidwell model of community and educational development as a template, Bill helped found the National Center for Arts and Technology to replicate the Manchester Bidwell education model across the nation. NCAT collaborates with local nonprofits and businesses to assess their community's needs and then works together with the community to design a fitting center for arts and technology. Bill's Pittsburgh model has been replicated in San Francisco, Cincinnati, Cleveland, New Haven, Connecticut and Grand Rapids, MI. He gained some powerful backers including Jeff Skoll, founder of eBay and the Skoll Foundation. The Skoll Foundation was one of Bill's earlier investors; it recognized the potential of his programs to drive large scale positive social change by using entrepreneurial discipline and methods. With the Skoll Foundation's help, Bill clarified his sales pitch--that he could help solve problems faced in communities, had a strategic business plan showing the benefits of working together, and offering people meaning and hope through transforming experiences.
Bill has said that ``environment determines behavior'' and he has created a remarkable environment where men and women living in poverty are treated with dignity and respect. Knowing firsthand that poverty creates self-defeating assumptions and restrictive labels but does not define a person's potential, Bill has dedicated his life to changing the lives of others by offering them hope, meaning, and belief in the power of their own creative possibilities. Bill's methods might be unconventional, but his results are success stories of epic proportions. And so in the Senate today we express our gratitude to Bill for never giving up on the poor kids or his vision. His passion and his belief in the abilities of each and every individual that walks through his doors has touched lives far beyond Manchester and, thanks to his tireless efforts, truly has the potential to reach around the world.
I thank Bill Strickland for his contribution to the City of Pittsburgh, the Commonwealth of Pennsylvania, and our Nation.
Mr. President, I yield the floor and note the absence of a quorum.
The PRESIDING OFFICER. The clerk will call the roll.
The bill clerk proceeded to call the roll.